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Interviews & Music

Interview was conducted May, 17th 2005 by Underground licks.com:
 
Raven, a style of his own
 
Tell us about you name and style
 
A. Tha Raven has a special meaning to me. In the late 90's I started doing spoken word and a lot of my stuff was kind of dark in a way. I remember Edger Allen Poe tale of the raven. It was dark and if you read between the lines, it's actually deep. So I took on the name Tha Raven and it stuck with me ever since. My style of music is actually wierd. Since I listen to New age, Drum n Bass, Classical, Jazz, Blues and everything inbetween, I combine all my favorite styles into one huge pot, add my touch to it and the end result speaks for itself.
What made you choose this form of music and what inspires you?
 
A. Well since I been in the music business since 1991 and I've been dealing with rap and r&b for so long, I just got tired of it. I'll still make music for people that rap or sing, but personally I'm into every style of music in the world. A lot of people ask me what inspires me and I simply just tell them Videogame music (laughs). It's crazy but true. I can think back to the Nintendo playing any game made by Capcom or Konami. If you listen to my music very close, anyone old enough to remember the music in games like Megaman or Life Force, You'll hear how I was inspired. And now I'm inspired when I play games by Namco (laugh). I hope to have my music in videogames one day and that's been a dream of mine since 8 years old, and at the time of this interview I'm 29 years old.
Where do you see yourself in a year from now and what are you doing to get there?
 
A. I see myself doing a lot of travelling back and forward from the U.S to Europe and eventually getting my club together. I just plan to work hard and never giving up.
What does your family and friends think about your music and do you do shows?
 
A. Very supportive. My mom at first really didn't support me when it came to music, so I usually hustled to get my music heard and sold. Now my mom finally see that I'm doing something big, and I thank GOD she support me now. I've done shows in the 90's when I used to go by the name "Infer-red". But now, I just make the music to be played in shows and clubs.
When you get famous what famous star could you see yourself laid out on the beach giving a back rub, and how can someone contact you for more info
 
A. (laughs) Honestly that's a very hard question to answer. I would have to say Stacy Kebler from WWE! I love a woman with legs. My contact info is: Eye Of The Storm Records, P.O. Box 2892, Country Club Hills, IL 60478 Email: eotsrecords@yahoo.com Website: www.eotsrecords.com Business: 1 (708) 845 - 1919

 

If you'd like to license music from Eye Of The Storm, you can sample some of the music on soundclick. After you find something you like, please call or email for informaton.

 

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Reviews For Eye Of The Storm Records!!!

 
Most recent fan mail from mixposure.com
by hns dly 3/10/2005
respect...
...outta antwerp (belgium) BIG UP for eots.
 

 

 

 

 

 THE WACKOS

FRESH OUT THE NUTFARM

REVIEW BY INI (UE)

www.belles.demon.co.uk/revs.html

Ok, so you get a cd to review entitled Fresh out the Nutfarm by people calling themselves The Wackos, and you immediately think Weird Al Jankovich and just about find the resolve to avoid hangin yourself. However, from the depths of Ontario, Canada, come a duo making Texas Chainsaw Massacre, Hannibal Lecter, Jason & Michael Myers look like a local church fund raising committee. And the target for their aggression, the bling bling gun totin gangsta pimp supastar hiphop...also know as mainstream.

Within this 7 track cd, these guys who are on the outside of the outside lookin in, say everythin so many were feelin but were either too afraid to say it, or didnt know how to. Everything, and I mean everything gets sliced up by their rhymes like scythin fields of corn. American Idol, all hiphop as described above, sellout rappers who dissin sellout rappers, overfawning to overrated artists, music awards, the beatmakers makin the successful MC, over-commercialised hiphop & media....it's the A-Z of what you'd recognize, and it's HILARIOUS!!!!

The reason it works is they have no illusions about themselves, and have the honesty to accept that they may not be superstars in waiting, but have kind of put themselves in the position of many who look at much of the above and ask "Is it just me, or......?" You fill in the blanks. It is also deliberately tongue in cheek-it's supposed to be amusing. You dont feel they constantly lose sleep over the state of hiphop, or at least to the point they assume an intense bitterness eating away at them. They just say it as they see it and dont feel any necessity to mind their Ps & Qs about anything or anyone, no matter how sacred the cow!

Theyve adopted serial killer personas coming after it all, to take care of all of this in what theyd deem an "appropriate manner" There's a vibe like KIDS IN THE HALL/JACKASS. Their approach is direct, like they say in their opening track "we just say what we say and we dont give a fuck" in their serial killas guises "murder after murder and we never seem to get caught".

Put it this way. If there was a meeting with the Head of the biggest sponsor of bling/corporate whore hiphop, like MTV, some people would sit down and try to put a very intelligent & worthy case to him as to why this image of hiphop is doing more harm than good, and that there are social repercussions and that a broadcaster should try to accept responsibility and represent balance via proactive, intelligent hiphop, to which the Head replies quoting viewing figures, advertising revenue, employment figures and back & forth, back & forth.......These guys would probably sit down, ask why the music they play is fuckin shit, wait for the Head's reply, then stand up, nod to each other, pull out the chainsaw and...............

They revel in their, so far, unpopularity, like what they got to lose anyway, so fuck it. One of the funniest things, and I dont know if this was deliberate, was having heard this cd, I read their accompanying introduction sheet which included "....with its controversial lyrics, beats and the whole image, we think it has the potential of doing very well..." Swear to God, had to be picked up off the floor reading that, especially imagining the over-stylised media or public checkin it. Fellas, youve just destroyed everything they stand for. I'd pay a LOT of money to see their faces listenin this to the first time-jaw droppingly stunned!

The truth is that this has the potential to be a cult classic. "Hey Phil I cured my insomnia/How did you do that?/I just watched 8 Mile" opens Message in a Bottle. Now, Eminem, like other high profile rappers, gonna get haters, but often for dubious reasons such as jealousy or whateva. This track's different, it highlights the great irony in the way Em goes on about peeps like the Backstreet Boys in relation to the persona/fanbase he himself now enjoys. But as I say, it's funny not because it sounds bitter, but because, as with all the tracks, it's very perceptive, just like all the best humour. The thug freestyle parody Chainsaw Party Bashers is an absolute side splitter. I dont want to get too into the motivations, meanings, relevance, importance of this cd. It is what it is, a great laugh. Depending on which side of the fence youre on, youre either gonna love it or hate it, though I think itd even raise a reluctant wry grin with Clear Channel bosses.

 

Brandon "Tha Raven"

Astral Realm

http://www.mixposure.com/song.php?songid=4787

by Wizard Sleeve 4/5/2005
Itelligent Jungle
Not exactly Drum and Bass... more like inteligent jungle, like hns daily said ltj bukem style.

I do like your amens, especially if you made them yourself as aposed to finding loops on the net that loads of people do, it really pisses me off, but yours sound homemade.

you might wanna put a bit of compression on them tho so they have a bit more kick, or layer the same amen with itself that sometimes works, or you could just replace the kicks with a more punchy kick.

In points i found the tune did drag on a bit but is actually quite a good mellow tune... the sort of thing you would listen to after going to a club on your come down.

Production: Originality:
7
Structure:
9
Talent:
10

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